Studied architecture at the Technical University
in Munich and at ETSA Madrid and established
his own architecture practice in 2006. Since
2010 he has worked together with Sebastian
Multerer. He taught at the TU Munich from 2007
to 2013. In 2010 his project Haus Polz was
nominated for the DAM Preis für Architektur in
Deutschland. In the same year he was awarded
the Weissenhof-Förderpreis for young architects.
2013 he was nominated for the Förderpreis für
Architektur by the City of Munich. He publishes
in various architecture magazines and is the
editor of books on architecture, such as 25
Buildings of Chicago, Szenen Dreier Häuser – von Gunnar Asplund and Wechselseitig – Zu Architektur und Technik.
issues 1–95 are available in PDF format
More information coming soon!
Thursday 15 December 2016, Tobias Armborst (Interborro Partners) and Bert Gellynck (1010 architecture urbanism) will give a double lecture. The lecture is followed by a discussion with the (guest)editors of OASE 96, Michiel Dehaene, Els Vervloesem en Marleen Goethals. Joachim Declerck (AWB) will moderate the discussion.
On 12 December 2016 the editors of OASE #97 will talk about action and reaction in architecture with Xaveer De Geyter (XDGA) and Willem Jan Neutelings (Neutelings Riedijk Architects). This event is sold out, registration is no longer possible.
Exhibition “Recent Work” about OASE’s graphic designer Karel Martens presented at P!, a gallery in New York from 11 September – 30 October 2016.
OASE #96 examines the remarkable revival of architectural practices that focus on reuse and appropriation of buildings, environments and materials. To what extent can and will designers engage in this process, and what is the possible positive or negative social impact of these interventions? This issue focuses on case studies, practical experience, critical refl ection and ideas that show how architects and urban planners proactively deploy reuse in view of future user opportunities and/or applications.
The aim of
this issue of OASE is to understand
the historical foundations of the concept of narrativity in reading and
designing the (urban) landscape, and to uncover the relevance of narrativity for
Please send your abstract (maximum 500 words) before 15 July 2016 to email@example.com.