OASE defends high standards of expected ethical behaviour of all parties involved in the act of publishing: the authors, the editors, the peer reviewers, the publishers and the community of academic architecture journals. We follow as such ‘the guide for ethical editing’ as made available by the Committee of Publication Ethics. OASE takes it as its duty to guarantee ethical behaviour in all issues. The academic editor and academic committee play a key role preserving the quality.
The peer-reviewed articles published in OASE support and embody a scientific method. Their publication reflects the quality of the work of their authors and their supporting institutions, most often faculties of architecture of leading universities. When publishing their articles in the peer-reviewed journal, OASE contributes to the essential development of a coherent and respected network of knowledge in the field of architecture. Over the thirty years of its existence, the journal has played an instrumental role in promoting and improving academic publishing in the architectural field, inviting young scholars to write and publish articles while training them in ethical behaviour.
Facing the increasing practices of plagiarism, OASE believes that monitoring publishing ethics is a major aspect of our editorial process. The editorial board and the academic editor are in their day-to-day practice committed to maintaining the high quality of the journal and critically observe all contributions from this perspective.
In order to enhance its academic approach towards publishing, OASE has elaborated significant tools: the extensive author’s guidelines, the official templates of invitation and rejection, the templates for calls for papers and for peer-reviewing. We share these tools with colleague editors in order to improve ethical publishing and responsible editorial behaviour in the international field of architectural publishing.
Tom Avermaete, Asli Cicek,, Bart Decroos, Job Floris, Christophe Van Gerrewey, Christoph Grafe, Klaske Havik, Sereh Mandias, Bruno Notteboom, Véronique Patteeuw, David Peleman, Hans Teerds, Hüsnu Yegenoglu
Technische Universiteit Delft, Technische Universiteit Eindhoven, Katholieke Universiteit Leuven, Universiteit Gent, Universiteit Hasselt
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Prins Frederik Hendrikstraat 107
3051 ER Rotterdam
OASE is an edition of the OASE Foundation
VAT number OASE Foundation 009507.577.B.01
NAi Publishers, Rotterdam
Werkplaats Typografie, Arnhem
Website design and programming
F Grotesk (Radim Pesko)
The site was made possible thanks to financial contribution of the Netherlands Architecture Fund
- First publication dedicated completely to OASE’s graphic design;
- Historical perspectives on the crucial role of graphic design in the architectural field;
- Indepth interview with Karel Martens.
We invite you to read the Calls for Abstracts for OASE #102 and OASE #103.
An impression of the presentation of OASE #99 that took place on 1 Mach 2018 in Van Abbemuseum in Eindhoven, the Netherlands. In the pictures are the participants of the panel discussion that discussed “What future for the Architecture Museum?”: Triin Ojari, Sofie de Caigny, Mirko Zardini, Omer Kanipak and Bernard Colenbrander.
In May OASE #100 about ‘The Architecture of the Journal’ will appear. Interesting public activities connected to this special edition of OASE are being planned, so keep an eye on this website.
OASE #98 about Narrating Urban Landscapes was presented on 1 February 2018 at the University of Greenwich, London.
Lectures by Bruno Notteboom, Kris Scheerlink and Klaske Havik. Image: Klaske Havik, editor of OASE, during the presentation.
Especially for the 25th anniversary of the Kunsthal in Rotterdam OASE editor Véronique Patteeuw, talked to architect Rem Koolhaas about the realisation, current function and the future of the building. Also OASE #94 about OMA was discussed!
On 19 October 2017 OASE and the KU Leuven organised a workshop for students from KU Leuven and TU Delft. Later on OASE #98 was launched by the editors of this issue and the Scientific Board of OASE. Maarten Overdijk (Hogeschool voor de Kunsten Utrecht) and Bas Smets (Bureau Bas Smets) gave lectures.