• 077
        • Ristretti: Alan Colquhoun's Ninethieth

        Abstract
        In her essay, French architecture critic Françoise Fromonot argues that the specific character of Colquhoun’s approach lies partly in the fact that he is conscious of the weight of every word he puts to paper. As a result, his writings are marked by ‘a clear structure and a sober vocabulary’ and they are ‘sharply defined’. She argues that the decision to write in this specific way, including the absence of any academic jargon, is not so much a value-free gesture as the definite political stand of a critic trying to address a wider audience. It is precisely because of this that Colquhoun’s essays remain references today in the debate about the past, the present and the future of architecture.
          1. 077
          1. 078
          2. 079
          1. 080
          2. 081
          1. 082
          2. 083
          1. 084
          2. 085
          1. 086
        Citation
        Fromonot, F. (2012). Ristretti: Alan Colquhoun's Ninethieth. Alan Colquhoun. Architect, Historian, Critic, OASE, (87), 77–82. Retrieved from https://www.oasejournal.nl/en/Issues/87/RistrettiAlanColquhounsNinethieth

        Download PDF (431 KB)

          1. 077
          1. 078
          2. 079
          1. 080
          2. 081
          1. 082
          2. 083
          1. 084
          2. 085
          1. 086
    1. 02/12/2022
      Presentation OASE 112 on 8 December 2022 in Rotterdam, NL

      Read more

    2. 24/11/2022
      Call for Abstracts OASE 116
      1. Carmen Portinho in front of the Museum of Modern Art in Rio de Janeiro (source: Wikimedia Commons)

      ‘The Architect as Public Instellectual’
      Deadline: 23-12-2022

      Read more

    3. 15/10/2022
      Now available: OASE 112. Ecology & Aesthetics

      Through a series of concrete projects, the contributions in this issue explore the field of tension between architectural aesthetics and issues of energy, technology and materiality. Ecological practices in architecture must not only be effective in providing solutions, but inevitably raise questions of beauty, affection and perception as well.

      Read more

    4. 23/05/2022
      Call for Abstracts OASE #115. Interferences: Migrating Practices in Europe

      Call for Abstracts OASE #115 about “Interferences: Migrating Practices in Europe”, written by Justin Agyin, Kornelia Dimitrova, Christoph Grafe and Bernard Colenbrander. Deadline is June 19, 2022. Read the full text of the OASE #115 Call for Abstracts in the PDF.

      Read more

    5. 20/05/2022
      Now available: OASE 111. Staging the Museum

      Museums stage public encounters between visitors, objects and stories. This is not limited to a tour through the exhibition spaces, it starts already with monumental or ‘tresholdless’ entrances.

      Read more

    6. 01/04/2022
      Now available: sold-out OASE issues as e-book!

      To meet the demand for some populair sold-out editions of OASE, 5 issues have been scanned and re-released as e-books. It concerns OASE numbers 45, 54, 63, 65 and 78. These are for sale via nai010 Publishers for € 14,95 per issue.
      More sold-out issues will be released digitally in the near future, so keep an eye out for your favorite issue!

      Read more

    7. 23/01/2022
      Now available: OASE 110. The Project of the Soil

      This issue of OASE makes a critical analysis of how soil connects to urban planning and urban design, and how it can adjust those practices in exploring new agendas.

      Read more

    8. 18/01/2022
      Call for Abstracts OASE 114. Optimism or Bust?

      Call for Abstracts OASE #114 about “Optimism or Bust?”, written by editors Stefan Devoldere, David Peleman and Jantje Engels.
      The deadline is 27 February 2022.
      Read the full text of the Call in the PDF file.


      Read more

    9. 11/01/2022
      Online presentation OASE 108 & 109 on 14 January 2022 at 15:00

      Read all about the presentation in the pdf file.

      Read more

    10. 19/10/2021
      Call for Abstracts OASE 113. Authorships
      1. George Nelson Installation. © Vitra Design Museum Archive

      Read more

    11. More news …