Going beyond a mere visual documentation of the architectural object, the contribution of Walter Warton presents a critical reading via a visual medium. His drawings of the MAS (Museum aan de Stroom) present not so much the museum itself, nor its visual representation by the architects, but attempts to show what remains of the building after a visit. Drawn from memory, his series of sketches composed as a comic strip retraces the impressions left in the memory of the visitor and shows how architecture criticism puts to the fore that which captivates us, that which calls our attention.